Showing posts with label Cameroons Cultural personalities. Show all posts
Showing posts with label Cameroons Cultural personalities. Show all posts

Wednesday, 17 May 2017

Nkwenti Ngwei Sylvia:

Seasoned arts and culture promoter now set to preserve and promote culture in Ngoketunjia.

Nkwenty Ngwei Sylvia seen here with Professor Narcisse Mouelle Kombi: Cameroon Minister of Arts and Cultur, Governor Adolfe Lele L'Afrique of the Northwest Region as well as the Senior Divisional Officer for Ngoketunjia Division
Madame Nkwenti Ngwei Sylvia; a seasoned arts and culture promoter has disclosed that she is now set to preserve and promote culture in Ngoketunjia Division. She made this declaration recently in her first contact with the media following her installation as the first ever Divisional Delegate of Arts and Culture in this Division. Sylvia is holder of a Masters Degree In Human Rights from the University of Dschang. She has equally had an opportunity to have a scholarship from the World Intellectual Property Organisation where she studied Authors Rights in France. She also had a scholarship with the Chinese Government to study the Economy and Culture of the Chinese People at the University of Nangchang.
Nkwenty Ngwei Sylvia

Back in Cameroon she made her debut with the Ministry of Arts and Culyure in 2009 as the Chargee d’etudes No. 2 of the follow up unit at the ministry in 2013 and later in 2014 she was appointed the Chargee D’etudes No. 1 of the Follow up unit.
Besides this Nkwenty Sylvia has been the Raporteur of CPMC a National Permanent Commission that takes care of the control of authors rights in Cameroon. She also occupied this position as raporteur for the Standardisation Commission to revive the Law on authors rights.

She eventually became the Representative of the Ministry of Arts and Culture in the Board of Directors of Heritage and Arts Foundation.
“Being the first Divisional Delegate of Arts and Culture in Ngoketunjia Division and the only Female Divisional Delegate in the Northwest Region, I really wish to do things differently with all the experience I have gathered. Ngoketunjia has a very rich culture and I don’t just want to get into work without getting to the people so my first plan of action is trying to meet the Fon of each village and talk to them about the importance of preserving and selling our culture. I equally intend to show them the need to collaborate with the Ministry in their efforts to preserve their Identity.”
Commenting on her first impressions on arrival in the Division which is found in the Upper Noun Valley, Nkwenty Ngwei Sylvia said the place was full of talented artists. When she made her first call for artists in the Division a good number of talented ones turned up she explained. “They came in their numbers for registration and in the different categories of authors rights. That aside, the people of Ngoketunjia are very welcoming and are ready to listen and collaborate and help me in any way that they can to realise my ambitions. My first impressions are very positive.”

The maiden Divisional Delegate said she was very optimistic because she has all the tools that she needed to realise her dreams in Ngoketunjia. She already had an a fore taste of the culture of the Division during her participation at the Bambalang Cultural Festival and the Nikai Cultural Festival of the Babungo Fondom during which she did not fail to notice the rich culture of the Division. “I saw how the people are so attached to their culture and as an opportunity to collaborate with them in the preservation of that culture and promoting it for international consumption and as a tool for social and National Integration.”
“I call on all the artists in the Division and all stakeholders to know that we now have an office in Ndop and that we are now open to work with them. They should come on board so that we create a united force to forge ahead in our quest to preserve and promote arts and culture in Ngoketunjia in particular and Cameroon in general.”  

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Monday, 6 March 2017

-HRH Fon George Ndikum II of Akum ‘Akum people are doing everything to maintain their original, rich culture.’



Fon George Ndikum II of Akum was enthroned on the 7th of January 1958 the same year his late father passed away. Since then he has been on the throne for almost sixty years. Among other things, Fon Ndikum George II of Akum emphasizes that despite the upsurge of modernism, Akum people are doing everything to maintain the originality of their rich culture. In the following revealing interview, he was talked to by Francis Ekongang Nzante of Cameroon People Magazine and Manasse Vushigo of Sky Sports Radio, Bamenda.

Who is Fon George Ndikum II at a much more personal level?

I was born in 1935 and grew up in Akum and went to primary school at the age of ten. I started my A B C in the then Native Authority School Santa. I went up to Standard III and I came  back to Akum here and continued my education to Standard IV but by then there was no Standard V in Akum so we were bound to move down to Saint Joseph’s School Mankon where I attended Standard V and VI. That’s where I ended my formal education. This was in 1956. In Bamenda at the time, you had John Hold and UAC so I wrote an application to work for John Hold and I was employed as a Clerical Clerk. I served them only for one year and within this time, I was sent to victoria for some internal refurbishing. We went to Victoria and completed our training because this company was buying Kennel and coffee and selling so I became an agent for them in this part of the country.

How has your society evolved over the last sixty years as far as bringing people together and developing them is concerned?

Immediately I took over, I brought my people together though very young at that time. We sat down with the notables and a few elites and decided on how Akum could be developed.  We started by digging roads in the village to connect the quarters. We did this and then the missionary who was in Akum at that time came to me and wanted a plot for a hospital. I invited a couple of people who had some large plots and we agreed and gave out the land to the Church. Since then we have been very busy with roads linking all the quarters. I have also made sure that we have drinking water. That was the second project we took and the cooperative donated some money. A levy was equally given to everybody and they paid.  We contacted the community development people at the time. We had to build a community Hall which was very important for the village. The Community Hall was realised and now people do their marriages and any other occasions that they may have. I told them to build good houses back in the village. That’s why today when you pass through Akum you see a lot of good houses.

How have you been blending aspects of your culture with modernism and maintaining that cultural originality?

Akum people have a very rich culture and they are doing everything to maintain this rich culture. In all the quarters, we have traditional dances for both the men and the women. As concerns marriages, we inter marry. We have a day called Contry Sunday during which we do not go to the farm. Such days are usually filled with cultural activities such as dances among other things. Akum people are farmers and when I took over the throne, things automatically changed. Formerly there were Nchindas in the Palace and their work was just to go round the village and if they met any goat, chicken and a matured bunch of plantain they brought it to the Palace but now all of that has changed.


Cognizant of the fact that the people of the Northwest Region are not originally from this Region can His Highness tell us something about the origins of the people of Akum?

I was enthroned on the 7th of January 1958 the same year my late father passed away. Since then, I have been on the throne for almost sixty years.
When I took over, I met some old traditional elders who really told me how the Akum people got to this place.  First of all, they told me that Akum people came from Tikari.  When they left, they rested at Widikum with other villages, not only Akum people. When they eventually left Widikum, their first settlement was in Mundum.  They rested there for a number of years and what caused them to leave the place was the infertility of the soil. From Mundum, they came up to this present site. When they got here, their leader who brought them from Widikum to Mundum and to this present site was called Fon Fumingom. When they got here, their first settlement was at Kapcho. Due to Tribal Wars at that time, they left Kapcho and went to Babadjou from where they came back to this present site. They had to move the Palace from Kapcho to Tinala. When they moved there the tribal wars were still going on and they fought with Bali Kumbat and then left and went to Bambili. They settled there and planted some of the raffia bushes that you find there today. They eventually left Bambili and came back here. They then moved the Palace from Tinala to Njinbawo near the forest. The reason was that if there was any attack again from other villages they could run and hide in the forest. It was until 1934 that they moved the palace to this present site.

Is there any relationship between the people of Akum and those of Mankon?

The relationship between the two is just that they understand each other and nothing more because all along, the Akum people have been on their own and Mankon people have been on their own as well.

How many quarters make up the Akum Fondom?

We have almost 25 quarters in the Akum Fondom. Each of these quarters has at its head a quarter head that assists me in my duties. They hear minor cases in the quarters and if there is any difficulty they consult me. I have some people who assist me to settle such matters and when they don’t agree then they can move to the administration.

Who are your neighbours and what type of relationship do you have with them?

Formerly, Akum was bordered by Bali, Pinyin, Babadjou, Baligham, Awing, Bambili, Nkwen and Mankon. Now with the coming of the other villages, the colonial masters who were here took Akum land and gave to Mbatu, Chomba, Nsongwa, Alateneng, Mbei, Njong, and Mendangnkwe. These are the villages that were given land to settle. Now with the present administration I also have boundaries with Mendangnkwe, Mankon, Mbatu, Nsongwa, Alateneng, Mbei, Njong.

Why is Akum referred to sometimes as Small London?

It is a nick name which came about when the Colonial Masters were still here. Most of the Akum people worked under them as cooks and Stewards. When the Europeans were going on leave, they would say they were going to London.  Some of them stayed in London for a month or two. Akum people who worked for them during these periods equally said that they were going on leave to Small London. That’s exactly how that name came about.

The Bamenda metropolis seems to be expanding much more towards Bambili and Mankon, Bali and Bafut than it is doing towards Akum. What do you think accounts for this?

 I think that Akum is also expanding because the Bamenda City Council has expanded to one of my quarters Azaane. That’s my boundary with Mankon where you have the old CENAJES.  This is an indication that the city is expanding into Akum as well.

Can titles be bought in Akum?

There are two types of titles. There is the title of Nkum or King Maker. They have their number and this number increases only when a Fon is lost. When this happens, the first son joins the group. This title cannot be bought. The second title which somebody can come up for it is the Cho. It is not anybody who comes up for it.  When somebody comes up for it, we have to be sure that the person in question is of good morals meriting such a title. The third title is that of the red feather. Formerly, when a young man in the village killed a Tiger he was entitled to a red feather.

Can His Highness use this medium to send out a message to his subjects? 

I call on my subjects both in Cameroon and the Diaspora to always remember home no matter what they become and where they are. Each time I travel abroad, I always advice them.  We have a shrine here in Akum called Minjiilem and we go there every year to pray to our ancestors to bless the yields so that we have plenty of food.  

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